FNDR HPTWN 1958

FNDR HPTWN 1958

Price range: 15.00 € through 18.00 €

This amp is not just a killer Tweed amp, but it is also THE Tweed Killer, it is the lion that governs the Tweed grasslands. It is the most valuable, desirable and in demand FNDR Tweed era amp. Think of the Tweed HPTWN as a double TWBM and you get very close to the truth about this amp.

 

It has a similar signature to the TWBM, but it has way more headroom for some of the best cleans attainable, it has more punch and low end, a stronger timbre in the mids and an attack that shines through with lots of detail without getting harsh, even when the amp is cranked to 10 and despite its immense bass reserves, even with bass at 0. These are some traits that remind us of the MRSH JT100, which is not surprising at all, as they are schematically extremely close.

 

This amp is the pinnacle of the Tweed era designs. It will do huge cleans, beautiful edge of breakup tones and mean crunch tones. It is also THE Tweed for use with pedals thanks to its incredible power, headroom and definition.

 

Many notable users have used it over the years, but they are most associated with Joe Bonamassa and Keith Richards.

 

The set includes 24 DI captures ranging from clean to lead gain levels and featuring various EQ settings per gain level. Please refer to the full list of captures in the product pictures.

  • 4x6L6
  • 2x12AX7
  • 1x12AY7
  • 5AR4rectifier
  • 85W output

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Matthew Tyler

GA, United States

Amazing Tone!

I own a hand-wired '57 Custom Twin, and this capture sounds extremely close to it. Mine is of course the lower powered 40-watt model, but they both sound very similar. I have both of them to do a sort of Clapton inspired blues/rock thing, and neither one of them disappoints. The advantage of this capture, and it's accompanying IR, over the real thing is that I don't have to mess around with miking my cabinet up and positioning mics to track my own sounds with my subpar equipment. I just plug into the Quad Cortex and press record and get amazing, professional sounding tweed twin tones.

Anonymous

Amazing tone!

I have a handwired '57 Custom Twin, and this capture and IR set sounds incredibly close to it. Mine is the low powered 40 watt tweed twin, but the tone is very similar. I have both to do a blues/rock Clapton thing, and neither one disappoints. The advantage of this amp capture over the real thing is that it always sounds great without having to mess with miking my own cab with my subpar equipment.

Brandon Ingels

CA, United States

Holy Cr@p

For driven tones, this is their best Fender capture yet, and I own 80 of their QC sets

Anonymous

WOW!!!!!

The HPTWN is phenomenal. Amalgam Audio has the best Tonex captures and of the Amalgam Audio captures I own the High Powered Twin is my 'go to'.

Jeffrey Homuth

MN, United States

Clean and articulate with a hint of that 50's Tweed character

When people say "Fender Twin" nowadays, I think they usually think of the 60's Blackface version. I got this '58 High-Powered Twin version as an Essential (Amp + Cab) because I had the Blackface Twin in Essential DI form. They are very similar, and I believe they did a video comparing the two. While the clean sounds are very much classic Fender "sparkle", the edge-of-breakup and driven tones from the High-Powered Twin show hints of that wooly 50's "Tweed" character. It's a nice pack, and more versatile than expected!

Przemysław Stefański

WARMIŃSKO-MAZURSKIE, Poland

Clean Machine!

Amazing clean tones with plenty of headrum. And i love that vintage soft/spongy feel of the amp.

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